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My own style choice is the first one: scripted and edited as tightly as possible so that’s what I’ll be discussing in this post. off-the-cuff, casual screencasts which contain some “ums and ahs” and fewer effects.planned, organised, succinct screencasts which require a decent investment of time (a couple of hours or more).When I talk about style here, I’m referring to choosing between the following: The first thing is to choose which style of screencast you’d like to make. ![]() Before starting: choose your screencasting style ![]() The information here will relate to the general approach I use, and sequential steps taken to create screencasts, rather than specifics about how to use a screencasting program. I thought it might be useful to put this information in a blog post in case there are educators out there who would like to have a go at screencasting, but don’t know where to start. I also receive regular questions about how I go about making them and which software program/s I use. Whilst I would not consider myself an expert, I do receive some lovely compliments about the clarity and style of the videos I make. I’ve been creating “how-to” style video tutorials (“screencasts”) about music software programs for a number of months now. I’ll be planning the next video – part 10 – in the next couple of weeks, so keep an eye out for it in the new year. I’ve had a list of possible video topics for parts 9 and 10, but the most frequently asked question via Youtube is “how do I create drum parts?”, so that became the focus of the ninth video in the series. ![]() Part 8 – all about creating codas – appeared at the same time as part 7: The 7th MuseScore video was uploaded back in mid-August and covered repeats and 1st/2nd time endings (also known as Volta brackets in MuseScore). In the meantime, here is a catch-up post about the latest 3 MuseScore videos: I have plans for a redesign and a new blogging regime (I think they’ll be part of my New Year resolutions), so stay tuned for that in 2011. OK, I have a confession to make: I’ve been very slack in keeping my poor blog updated. ![]() ![]() ![]() Watch #Evaru Movie Genuine Public Talk Please Subscribe us : For more updates about Telugu cinema: Like on Facebook. I am ultimately one person and I try not to let the writer in me restrict the actor in me.Home Adivi Sesh remuneration for Evaru movie It happens because a certain kind of comfort creeps in. However, I don't want to be limited to the stories I write because then I will end up doing the same character written by me in every film because. He adds: "It does help me, when I am hearing a story or watching a film and something feels tonally off or disingenuous. In many ways, writing became my weapon with which I could go into the battle but ultimately it was in service of my acting career," says the actor. I am an outsider in the movies and didn't know anyone. "In the beginning of my career, writing was a compulsion because when we like a story, we want to see ourselves in it on the screen, though I was not getting those kinds of films. He has earlier scripted his hit films such as "Kshanam", "Goodachari" and "Kiss".ĭoes being a writer affect his choices as an actor? Interestingly, besides acting in the film, he is also the writer of the project. He announced on Monday that besides Telugu and Hindi, the film will also release in Malayalam. ![]() If I see people scolding me in Punjabi, I would easily understand what they are saying." The actor will soon be seen in "Major", which is inspired by the life of 26/11 martyr Sandeep Unnikrishnan. He adds on a lighter note: "I do understand Punjabi, by the way. So, I picked up their accent from them!" the 35-year-old actor tells IANS. It would be a lot of back and forth if I spoke in English and they spoke in Hindi. These guys had come from smaller towns of India and they would struggle with English and I wanted a sense of being an Indian while growing up. All my friends were Gujarati and Punjabi. In the 1990s you didn't find any Telugu folks (in California). "I grew up in California, San Francisco, and there were no Telugu folks (around). The reason is his move to California from Hyderabad during the formative years, he reveals. The actor further stumps you by saying that, not only the accent, he can actually fully understand the Punjabi language, although he never lived in northern India. 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